Entertainment
The Enugu concert rape syndrome
By Winifred Asogwa (Enugu)
Social media have been aflame the past few days with rants about the flavour live concert at Okpara square Enugu, where not less than twenty (20) female fans were ‘allegedly’ raped.
Rape is a serious crime against humanity. It touches the very sensibility of the raped while the rapist reflects the decadence in the minds of some people. It beats one’s imagination how a man would jump on a lady without her consent. No gesture supports such devilish tendencies.
The bedrock of the conversation lies in the fact that; this is not the first time female fans are been sexually harassed at a concert, it’s gradually turning into a norm. Tufiakwa! (God forbid)
Reports of rape at both PhynoFest 2016 and 2017 were recorded; we have now witnessed a similar repetition at flavour’s live concert. The almost sad side of this story is that these concerts were ‘free’; the fans were required to pay zero naira to attend. The artists see these free concerts as a ‘give back initiative’ to their fans and the city of their birth.
But when ‘giving back’ opens the door for women to be sexually harassed, it begs the question ‘is it giving or taking’?
It’s easy to blame the organizer of the concert, after all people showed up to watch him perform but throwing sticks and stones won’t help, who really is to blame?
I’ll take this from a three pronged approach. The media, security/crowd management and the artist.
When it comes to the media industry in Nigeria, Lagos state can be termed the ‘big brother’, where everything happens. It’s usually said that if you want to blow in entertainment, find yourself in Lagos.
As much as Lagos is the ‘big brother’ there are also smaller/younger brothers who are aspiring to do what Lagos does. Cities like Abuja, Port-harcourt, Calabar, Enugu etc are aspiring to nurture the fragile entertainment industry in their respective cities. When these smaller brothers hold concerts and shows and it’s not 100% perfect, are they not supposed to be encouraged rather than getting bashed?
The trace TV guy that made that very sensitive tweet about the concert turning into a rescue mission for women was slightly ‘off-tune’. He even went ahead to say he’s never visiting Enugu again, like your visit added to our GDP.
With no intent to defend the evil rape perpetrators, is he trying to say there have NEVER been a rape incident at all the concerts held in Lagos state?
After all, the official rape statistics 2015 as reported by Punch Newspapers show that Lagos was on top of the rape record in 2015 with 513 cases, followed by Delta, 205; Kano 189; Katsina 120; Ogun 76; Ondo 68 and Edo, 55.
Others are FCT 44; Ebonyi 41; Cross River 40; Bauchi 38; Oyo 35; Kaduna 33; Anambra 33; Bayelsa 31; Niger 29; Enugu 28; Plateau 25; Yobe and Zamfara, 21; Borno 20; Jigawa 18; Imo 17, Kogi 15 and Gombe 12.”
This brings us to the role of our media. One ‘Lagos person’ came and said something about the South East and we’re not able to overturn that. Can a south east influencer go to Lagos, make a tweet and it sparks conversation? Where are the south east bloggers, influencers, media majesties, on air personalities?
The hottest places in Hell are reserved for those who in time of moral crisis preserve their neutrality.
I heard some very funny arguments that the reason showbiz doesn’t grow in Enugu is because we feed on the cycle that the show must be free, a mentality that roadblock birthed.
Also that artists want big crowds for the sake of numbers. There is nothing wrong with wanting big crowds but a lot goes into crowd management/control/security. Enugu is not the only state to hold concerts, why don’t we hear rape cases in other places? It’s obvious more attention is paid to stage and artiste management than crowd management/security.
The artist in question is yet to release a statement. I’m sure he’s heard people are making allegations that his female fans were raped at his concert but he’s decided to keep mute. Has he no media team? To control what’s going on, to protect his brand? Or he just doesn’t care; he’s waiting for it to blow over like everything in Nigeria does.
Rape is a very serious issue, the victims have to deal with psychological trauma for the rest of their lives, at least show that you care.
If we must harness the entertainment, tourism and hospitality potentials of the Enugu State necessary steps must be taken to ensure such case as rape isn’t repeated in the future.
For now, let the he security agencies do the needful by apprehending and prosecuting the rapists; hence we become laughing stock among other States in Nigeria.
Entertainment
From Bomb Blast to Praise: Maureen J’s Miracle Song
–Lagos bomb blast survivor tells her story through soul-stirring gospel track
From the ashes of one of Nigeria’s most devastating tragedies has emerged a powerful testimony in song. “How Do I Kelee Gi?” — a soul-stirring blend of English and Igbo meaning “How do I thank You?” — is the heartfelt anthem of Maureen Onwuka, popularly known as Maureen J, a survivor of the January 27, 2002 Lagos bomb blast.
The blast, which rocked the Ikeja Cantonment area, left hundreds dead and thousands displaced in an unforgettable moment of national grief.
For Maureen, then a young evangelist, it marked the beginning of an emotional and spiritual journey that would change her life and eventually give birth to a song of thanksgiving.
On the day of the explosion, Maureen had stepped out for routine evangelism when she was caught in the chaos. Fleeing with a panicked crowd, she found herself at the edge of a canal near Ajao Estate. She couldn’t swim. Before she could react, the surging crowd pushed her into the water.
“I found myself stepping on bodies. People who had already drowned. It was like walking on human carpet, and I didn’t even know at first,” she recounts, her voice heavy with emotion. “Some were grabbing at me, trying to come up, but every time someone held my leg, I felt myself going under.”
Maureen screamed out a desperate prayer: “Lord, remember me! I was just out telling people about You! Please show me mercy!” In that moment, a stranger appeared in the water — a man who swam to her, pulled her to safety, and vanished without a trace. “I don’t know who he was. I believe he was an angel,” she says.
She escaped with her life, but the images of that day, especially the lifeless bodies of children, women, and men, remained etched in her memory. In the aftermath, she made a solemn vow to God: to tell the world what He did for her.
That vow found its fullest expression in “How Do I Kelee Gi?” — a song she describes as a sacred offering of gratitude. “Words weren’t enough to carry my story. I had to pour it into music,” Maureen explains. “Mixing English and Igbo was intentional — what God did for me was too great to explain in just one language.”
Though the song was written two to three years after the tragedy and initially recorded with little fanfare, Maureen never stopped sharing her story. Encouraged by those who’ve heard the track and urged her to push it further, she is now relaunching the song with renewed purpose.
“This song is my flagship,” she says. “It’s time to tell the world. I want people to not just hear my voice, but to know the miracle behind it.”
Maureen, who hails from Umukparo, Mbala Isuochi, in Abia State, has always been musically inclined, serving in choirs from her youth. But the 2002 experience gave her voice a new purpose. “After the blast, music became more than a gift — it became a mission,” she says.
Inspired by gospel icons like Mercy Chinwo, Sinach, and Nathaniel Bassey, Maureen hopes to reach hearts and stir worship through her sound. “Their songs move me toward God. That’s what I want mine to do too.”
“How Do I Kelee Gi?” is currently available on Audiomack and CD Baby, with plans for a full official launch slated for August this year.
From tragedy came a testimony. From near-death, a new life’s mission. And through it all, Maureen J stands — a living witness that miracles still happen, and when they do, the only fitting response is to sing.
Entertainment
You’re a priceless gift: Gov Mbah Celebrates Jim Nwobodo at 85
… Nwobodo: Mbah is a Success, reports SANDRA ANI
Governor of Enugu State, Dr. Peter Mbah, at the weekend, led other who-is-who in the state to celebrate elder statesman and a former governor of old Anambra State, Senator Jim Nwobodo
Speaking during the 85th birthday anniversary celebration event in honour of Nwobodo at his Amechi Awkunanaw, Enugu, country home, Friday evening, Mbah recalled the octogenarian’s outstanding service to Enugu State, old Anambra State, Nigeria, and humanity in various capacities, describing him as an epitome of excellence.
“It will be difficult to find words that amply capture the true essence of what Dr. Jim Ifeanyichukwu Nwobodo represents. Your life is a living proof that the true value of existence is selfless service.
“Nothing endears one to his people than selfless service. That is what you epitomise. The men and women gathered here today to celebrate you is a reflection of that selfless service that you have provided for the people of Enugu State and Nigeria.
“Today, we celebrate an extraordinary journey. We celebrate 85 years of impactful life.
“As Governor at 39 years, you left bold legacies that are still evident today. As a Minister of Youth and Sport, your record remains unbeatable; and it’s still a heartwarming reference point in this country. As a Senator of the Federal Republic of Nigeria, you were an epitome of courage and patriotism. We are indeed very proud of you.
“You are a priceless gift to humanity and to Enugu State and indeed our dear country. We are so blessed to have you. You have also provided a shoulder on which countless leaders stand on. You are a charismatic, yet unassuming leader; a man of all seasons,” the governor stated.
He wished him many happy returns in sound health and cherished moments so that the new generation of leaders could continue to benefit from his fatherly counsel and wealth of experience.
In his remarks, Nwobodo enjoined leaders to utilise the opportunities God had given to them to work for the people, citing the Mbah example in Enugu State.
“Today, Peter (Mbah) is a success. Whether anybody likes it or not. He is a success because the results speak for him. Whatever he is in Enugu today was God’s design from time. God gave it to him. God inspires all that he is doing in Enugu today.
“Governor Mbah also listens. He really does. I suggested something to him not long ago. He reflected on it and told me that he would do it. Today, he is already doing it. That is how your know a leader that would go far,” the elder statesman said.
While thanking the governor for organising a state event to mark his birthday, Nwobodo said that Mbah had underscored the need to celebrate people while they are alive.
“I did not expect an elaborate celebration as this. But the governor insisted on celebrating me so well. He maintained that it was better to celebrate people when they are alive, to say all the beautiful things to their hearing. So, Governor, I thank you for this show of love and thank all of you, who came out in your numbers to celebrate me,” he added.
Also, at the event were the former governor of Enugu State, Rt. Hon. Ifeanyi Ugwuanyi; Deputy Governor of Enugu State, Barr. Ifeanyi Ossai; members of the Enugu State Executive Council; serving and former federal and state lawmakers, Council Chairmen under the leadership of the Chairman, Enugu State chapter of ALGON, Hon. Okechukwu Edeh, as well as the traditional rulers led by the Chairman, Enugu State Traditional Rulers Council, His Majesty, Igwe Samuel Ikechukwu Asadu, among a host of others.
The death, burial and resurrection of Jesus Christ is the cornerstone of Christian faith. In commemoration of this, the Love of God in Christ (LOGIC) Church is hosting the first edition of the Jesus + Nothing Worship, an uplifting evening dedicated to expressing the message of the death, burial and resurrection in music.
This event will be held on, Friday, April 18, 2025, by 4PM, at The LOGIC Church headquarters in Lekki, Lagos.
The event offers worshippers an opportunity to connect with the essence of the Gospel in worship.
The Lead Pastor and Apostolic Head of the LOGIC Church, Apostle Flourish Peters, asserts that worship is a significant part of the New Testament believers’ experience in Christ.
“As a Christocentric faith community, this event is a great way to celebrate the gift of Christ, who laid down his life for our redemption. Good Friday is a great time to have a worship celebration like this,” notes Peters.
On the context for the event, he notes, “Nothing speaks to the culture of a people like the music they listen to.
Jesus + Nothing Worship will contribute to shaping and mainstreaming a culture of christocentric worship, where the Gospel of Christ’s death, burial and resurrection is platformed through worship.
With Nigeria’s young demography heavily influenced by the music and the arts, Christocentric music is a powerful tool in pointing this generation to Christ,”
Guest ministers expected include; Ministers Neon Adejo, Greatman Takit, Victor Thompson, Timi Dakolo, Samuel Giveson (SMJ), Noble G, Steve Hills, and Lily Perez. Others include Ministers Joxie, Anderson Qozan, Pastor Victor Paul, EmekaSongz, Flo, Dorcas Moore, Magpsalms, Mera Owili, Gerald Bishung, Phebe Lion, and the vibrant Evolution Children’s Choir.
The Jesus + Nothing Worship is a free event and attendees are guaranteed an unforgettable experience.
For more information, visit the official website: https://thelogicchurch.org/en/ and follow on YouTube at @TheLOGICChurch and on Instagram at @thelogicchurch.
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