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90% of my secrets are with my mum in her grave –Chioma Akpotha

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For popular Nollywood actress, Chioma Akpotha, every May 22 of each year would forever be a day she would set aside to celebrate the life of her mother who died about five years ago.

In a recent chat with the actress, she told Saturday Beats that she was so close to her mother as the first daughter that her mother went to her grave with 90 per cent of her secrets.

With teary eyes, she recalled the way her left-handed mother used to deal with her whenever she erred but despite all the slaps and beatings she received, it never affected the love she had for her mother.

“It has been five years that my mother has died and till date, I still miss everything about her. Being the first daughter, she was my best friend but whenever I misbehaved, she hardly used a cane on me, instead, she would use her hand, slippers, pestle, among other things.

“She was left handed but I always forgot that aspect whenever she was beating me, so there were times that I would expect the slap on the right cheek and would have guarded the right side of my face only for the slap to land on the left side.

“I miss her a lot. My mother went to her grave with about 90 per cent of my secret and that is how close I was to my mother. She was practically my backbone. When I had my first son, my mother stayed with us for about a year. Although she had a restaurant at the time, she abandoned it to look after my child and would accompany me to the various movie sets I had to attend. She was running her business from the movie location. I miss everything about her. “There is a saying that Igbo people have which states, ‘the day you lose your mother is the day you lose your God. Her death has thrown me into the open but I believe she is now an angel who watches over me from up above and she is fighting for me,” she said.

The screen diva told Saturday Beats that although she was flogged several times by her mother, it was not because she was a stubborn child. She further stated that although she joined the Nigerian movie industry as a teenager, she never dared to embrace any vice because of the kind of upbringing her mother gave her.

Akpotha said, “I was not mischievous per se but I did not believe that you could cheat me out of what is mine. If my mother did not have any other job, she probably would have been a soldier. I am the first daughter and as an Igbo woman, the first daughter had to be an example of what a good home would be like, so I could not have indulged in any bad vice during my early years in the Nigerian entertainment industry.

“Also, when it comes to my personal hygiene I am allergic to smoke among other things. I get ‘high’ easily and I act in silly ways but I like to comport myself in public hence when you see me, you tend to think I am uptight.

“I had friends that took alcohol and tried to cajole me into taking some but I always refused because if you know who you are, why succumb to peer pressure?”

*Punch

GrassRoots.ng is on a critical mission; to objectively and honestly represent the voice of ‘grassrooters’ in International, Federal, State and Local Government fora; heralding the achievements of political and other leaders and investors alike, without discrimination. This daily, digital news publication platform serves as the leading source of up-to-date information on how people and events reflect on the global community. The pragmatic articles reflect on the life of the community people, covering news/current affairs, business, technology, culture and fashion, entertainment, sports, State, National and International issues that directly impact the locals.

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African Voices Highlights Tems’s Path of Passion and Purpose   

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Tems and African Voices
Tems

Grammy-winning Nigerian singer and songwriter, Temilade Openiyi, popularly known as Tems, takes centre stage in a new edition of CNN International’s magazine programme, African Voices Changemakers, sponsored by telecommunications giant, Globacom.

Hosted by ace journalist Larry Madowo, the episode, which aired on Saturday, October 4, 2025, traces Tems’ inspiring journey from producing music in her Lagos bedroom to becoming a global music sensation and one of Africa’s most distinctive voices.

In the feature, Tems discusses her creative process, her swift rise to international fame, and her mission to uplift women through the Leading Vibe Initiative, which encourages young African women to pursue their dreams with confidence.

The episode explores Tems’ unique sound, her drive to redefine global music on her own terms, and the personal experiences that have shaped her artistry. Viewers gain a deeper understanding of her authenticity, resilience, and dedication to elevating African music on the global stage.

To accommodate viewers across various time zones, the programme will be rebroadcast on Saturday, October 11, at 7:30 a.m. and 11:00 a.m.; Sunday, October 12, at 3:30 a.m. and 6:00 p.m.; and Monday, October 13, at 3:00 a.m. (all in West Africa Time).

This edition promises fans and music lovers an intimate and inspiring glimpse into the life of one of Africa’s most influential voices, whose artistry continues to shape and redefine contemporary global music.

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British Council, FG drive socio-economic growth in creative industry through Creative Economy Week 2025

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Creative Economy Week 2025

The potential of Nigeria’s creative industry to contribute to socio-economic growth and development was re-emphasised at the Creative Economy Week 2025, a groundbreaking platform initiated by the British Council in collaboration with the Federal Government, and key stakeholders.

The Creative Economy Week 2025 is a week-long programme aimed at harnessing and nurturing the abundant creativity in Nigeria while repositioning the creative industry as a driver of national economic growth.

Hon. Minister of Arts, Culture, Tourism & Creative Economy, Barrister Hannatu Musa Musawa, who delivered a keynote address at the event in Lagos, emphasised the significant potential of United Kingdom-Nigeria partnerships in enhancing the creative economy, and emphasised that the collaboration will accelerate capacity building and skills exchange to cultivate a thriving creative industry in Nigeria.

“The creative industry in the United Kingdom is very developed. We believe we can also have a thriving creative industry. The government has stepped in to facilitate this essential handshake. With collaboration with the United Kingdom, Nigeria’s creative sector will further thrive. And beyond that, there are a lot of skills.”

In her remarks, the minister noted that raw talent and creativity are abundant in Nigeria, while noting that the collaboration will foster mutual benefits through training, festivals, and exchanges.

The minister concluded, “With the right training and support, Nigeria’s creative sector can not only thrive but also contribute significantly to job creation and economic development.”

Creative Economy Week Nigeria 2025 spanned across five Nigerian cities: Abuja, Lagos, Port Harcourt, Kano, and Enugu, and it will culminate in a landmark London showcase on 11 October. The initiative is designed to identify, nurture talents and creativity in Nigeria. It brought together artists, creative entrepreneurs, cultural hubs, industry leaders, policymakers, investors, and international partners.

The event series showcases the power of creativity and culture as catalysts for inclusive economic growth, youth empowerment, and global connection while spotlighting diaspora voices, strengthening international collaboration, and forging new opportunities for global creative exchange.

During the Week, engaging sessions took place in Lagos. These included discussions on the Women in Film Conference, the Africa Film Finance Forum (AFFF), and presentations focusing on unlocking Nigeria’s Creative Tech and Digital Storytelling Frontiers. Additionally, topics such as the expanding role of music in job creation and market reach were explored, alongside a fireside chat addressing crucial steps for enhancing Nigeria’s creative industry.

In addition, masterclass sessions were conducted on various subjects including, the role of Intellectual Property (IP) in the film industry, SME creative entrepreneurship, and practice management for the film sector. These discussions are pivotal in promoting professionalism and growth within the industry, further driving socio-economic growth and creating job opportunities.

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Spotify Launches “Afrobeats: Culture in Motion” – A Global Project Tracing the Genre’s Explosive Rise

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Spotify launched Afrobeats

Today, Spotify launched Afrobeats: Culture in Motion, a global project that documents the genre’s evolution over the last five years and the people propelling its forward momentum.

The initiative highlights how Afrobeats has grown from a regional sound into a global cultural force, generating over 240 million discoveries on Spotify worldwide in the last 12 months alone.

The launch is centered on a new Spotify documentaryCulture in Motion, which follows the next generation of Afrobeats artists. This is complemented by an immersive  microsite on Spotify’s newsroom, For the Record, that breaks down the movement across five key pillars using exclusive interviews, expert context, and fresh Spotify listening data.

Key Trends Revealed by Spotify Data

Spotify launched Afrobeats
Spotify | Afrobeats

The microsite’s data offers a deep dive into the genre’s remarkable transformation. The sound of Afrobeats is becoming more emotionally resonant, with introspective and emotionally charged vocals now accounting for 38% of global streams.

Its reach is expanding rapidly, with listenership in Latin America growing by more than 180% year-over-year, and streams in Brazil alone are up 500% since 2020.

Female artists are also at the forefront of the genre’s global success, with Tems becoming the first African female artist to surpass 1 billion Spotify streams for a single track.

At the same time, the visual language of Afrobeats is shaping global culture, while fan communities are playing a vital role in discovery, acting as the new tastemakers and driving the genre’s growth in real time.

Nigeria: The Cultural Heartbeat of Afrobeats

In its birthplace, Afrobeats is more than just music—it’s a cultural heartbeat. Over 180 million hours of Afrobeats have been streamed in Nigeria this year alone, with the genre’s passion most evident in the top three streaming cities: Lagos, Abuja, and Port Harcourt.

Nigerian Gen Z listeners connect with Afrobeats on a deeper level, with their top three listening moods for the genre being “whiny,” “island vibes,” and “playful.” 

This passion has also fueled a powerful, community-driven movement that started in Nigeria, with fan-made Afrobeats playlists growing by nearly 3000% in the last decade worldwide.

Notably, a new sub-genre, Afro-Adura, has seen incredible growth with streams increasing over 4000%.

All things Afrobeats can be explored on the dedicated  Afrobeats Destination on Spotify.

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