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From football pitch to recording studio: Laliga players who embarked on music careers  

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  • Many LaLiga players are famous not only for their footballing exploits but also for their musical talents!

Football and music go hand in hand. Listen closely and there’s music all around football, from the songs sung by fans in the stands to the motivational tunes blaring in dressing rooms before kick-off.

It shouldn’t really be a surprise, then, that many LaLiga footballers have tried their hand at music over the years, either during their playing careers or after… and with varying degrees of success! Let’s take look at just some of the players who have swapped their boots for beats over the years.

SERGIO RAMOS

As a keen fan of flamenco, the Real Madrid captain has long loved singing and playing the guitar. Ramos has regularly expressed his love for music and has revealed that he often unwinds by writing his own songs. He has also contributed to the official songs for the Spanish national team’s Euro 2016 and 2018 World Cup campaigns, collaborating with world-famous artists like Niña Pastori and Demarco.

JESÉ

The Real Madrid youth graduate has long been interested in music and, in 2014, formed a reggaeton band with close friend DJ Nuno. The group, Big Flow, released tracks through YouTube to some success and it wasn’t long before Jesé went solo and started to release his own music under the name Jey M, donating profits from his music to research into disease prevention.

JOSÉ MANUEL PINTO

A goalkeeper whose hands were made for music as well as catching footballs, José Manuel Pinto founded his own music label – Wahin Makinaciones, based on his stage name Pinto ‘Wahin’ – while he was still playing football for Celta Vigo before making the move to join Pep Guardiola’s Barcelona.

In 2015 he released a record,Eres Especial (‘You’re Special’), with Barça teammate Dani Alves and has since had great success as a producer. Having gained a university degree in sound engineering and a master’s in musical production, Pinto was among the engineers who worked on Niña Pastori’s Amame Como Soy, which won the 2016 Latin Grammy for Best Flamenco Album.

ROYSTON DRENTHE

Former Real Madrid winger Royston Drenthe launched a rap career under the name Roya2Faces as his playing days were coming to an end. For those who knew him best, this came as no surprise; Drenthe had a long-standing interest in rap music and has many friends in the industry, most notably U-Niq who, like Drenthe, hails from Rotterdam and who taught him how to write music. While Drenthe came back out of retirement to sign for Sparta Rotterdam this summer, he remains passionate about hip hop and expects to write more songs in the future.

JULIO IGLESIAS

Julio Iglesias is one of the most famous singers in Spain and across the Spanish-speaking world and in 2013 was recognised by the Guinness World Records as the best-selling male Latin artist in history. Impressively, the 75-year-old’s 1983 album Julio was the first foreign-language album to hit the 2 million sales mark in the USA. Before this music career, though, the Madrid native played football for Real Madrid Castilla, the capital city side’s B team. An injury cut his footballing career short, however, and opened up a new door into the music world. Every cloud…

Julio Iglesias

ÁLVARO BENITO

The story of Álvaro Benito shares many parallels to that of Julio Iglesias. Benito also came through Real Madrid’s youth ranks, in his case as a promising midfielder, making 21 LaLiga appearances for the first team across the 1995/96 and 1996/97 seasons and scoring a couple of goals. However, he too was plagued by injury and had to retire from football at the age of 27, at which point he founded a punk rock band called Pignoise, for which he is lead singer and guitarist. Influenced by Green Day and Blink-182, they’ve released eight albums to date.

GERMÁN BURGOS

The former Atlético Madrid goalkeeper and Diego Simeone’s current assistant is another big music fan, in his case of rock music. Lead singer of rock band GARB since the 1990s, the group released a couple of Spanish-language albums in the early noughties as his career was winding down. Fun fact: the name GARB comes from the initials of Burgos’s full name, Germán Adrián Ramón Burgos.

GAIZKA MENDIETA

Following his retirement from football, former Valencia, Barcelona and Spain midfielder Gaizka Mendieta turned to DJing in 2008 with great success. He regularly plays sets across London, and was even invited to DJ at the build-up to the Real Madrid vs Juventus Champions League final in Cardiff in 2017. Mendieta, today a LaLiga Ambassador, was regularly seen in record stores during his playing days and now dedicates a lot of time to his second passion in life.

Alvaro Benito

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African Voices Highlights Tems’s Path of Passion and Purpose   

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Tems and African Voices
Tems

Grammy-winning Nigerian singer and songwriter, Temilade Openiyi, popularly known as Tems, takes centre stage in a new edition of CNN International’s magazine programme, African Voices Changemakers, sponsored by telecommunications giant, Globacom.

Hosted by ace journalist Larry Madowo, the episode, which aired on Saturday, October 4, 2025, traces Tems’ inspiring journey from producing music in her Lagos bedroom to becoming a global music sensation and one of Africa’s most distinctive voices.

In the feature, Tems discusses her creative process, her swift rise to international fame, and her mission to uplift women through the Leading Vibe Initiative, which encourages young African women to pursue their dreams with confidence.

The episode explores Tems’ unique sound, her drive to redefine global music on her own terms, and the personal experiences that have shaped her artistry. Viewers gain a deeper understanding of her authenticity, resilience, and dedication to elevating African music on the global stage.

To accommodate viewers across various time zones, the programme will be rebroadcast on Saturday, October 11, at 7:30 a.m. and 11:00 a.m.; Sunday, October 12, at 3:30 a.m. and 6:00 p.m.; and Monday, October 13, at 3:00 a.m. (all in West Africa Time).

This edition promises fans and music lovers an intimate and inspiring glimpse into the life of one of Africa’s most influential voices, whose artistry continues to shape and redefine contemporary global music.

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British Council, FG drive socio-economic growth in creative industry through Creative Economy Week 2025

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Creative Economy Week 2025

The potential of Nigeria’s creative industry to contribute to socio-economic growth and development was re-emphasised at the Creative Economy Week 2025, a groundbreaking platform initiated by the British Council in collaboration with the Federal Government, and key stakeholders.

The Creative Economy Week 2025 is a week-long programme aimed at harnessing and nurturing the abundant creativity in Nigeria while repositioning the creative industry as a driver of national economic growth.

Hon. Minister of Arts, Culture, Tourism & Creative Economy, Barrister Hannatu Musa Musawa, who delivered a keynote address at the event in Lagos, emphasised the significant potential of United Kingdom-Nigeria partnerships in enhancing the creative economy, and emphasised that the collaboration will accelerate capacity building and skills exchange to cultivate a thriving creative industry in Nigeria.

“The creative industry in the United Kingdom is very developed. We believe we can also have a thriving creative industry. The government has stepped in to facilitate this essential handshake. With collaboration with the United Kingdom, Nigeria’s creative sector will further thrive. And beyond that, there are a lot of skills.”

In her remarks, the minister noted that raw talent and creativity are abundant in Nigeria, while noting that the collaboration will foster mutual benefits through training, festivals, and exchanges.

The minister concluded, “With the right training and support, Nigeria’s creative sector can not only thrive but also contribute significantly to job creation and economic development.”

Creative Economy Week Nigeria 2025 spanned across five Nigerian cities: Abuja, Lagos, Port Harcourt, Kano, and Enugu, and it will culminate in a landmark London showcase on 11 October. The initiative is designed to identify, nurture talents and creativity in Nigeria. It brought together artists, creative entrepreneurs, cultural hubs, industry leaders, policymakers, investors, and international partners.

The event series showcases the power of creativity and culture as catalysts for inclusive economic growth, youth empowerment, and global connection while spotlighting diaspora voices, strengthening international collaboration, and forging new opportunities for global creative exchange.

During the Week, engaging sessions took place in Lagos. These included discussions on the Women in Film Conference, the Africa Film Finance Forum (AFFF), and presentations focusing on unlocking Nigeria’s Creative Tech and Digital Storytelling Frontiers. Additionally, topics such as the expanding role of music in job creation and market reach were explored, alongside a fireside chat addressing crucial steps for enhancing Nigeria’s creative industry.

In addition, masterclass sessions were conducted on various subjects including, the role of Intellectual Property (IP) in the film industry, SME creative entrepreneurship, and practice management for the film sector. These discussions are pivotal in promoting professionalism and growth within the industry, further driving socio-economic growth and creating job opportunities.

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Spotify Launches “Afrobeats: Culture in Motion” – A Global Project Tracing the Genre’s Explosive Rise

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Spotify launched Afrobeats

Today, Spotify launched Afrobeats: Culture in Motion, a global project that documents the genre’s evolution over the last five years and the people propelling its forward momentum.

The initiative highlights how Afrobeats has grown from a regional sound into a global cultural force, generating over 240 million discoveries on Spotify worldwide in the last 12 months alone.

The launch is centered on a new Spotify documentaryCulture in Motion, which follows the next generation of Afrobeats artists. This is complemented by an immersive  microsite on Spotify’s newsroom, For the Record, that breaks down the movement across five key pillars using exclusive interviews, expert context, and fresh Spotify listening data.

Key Trends Revealed by Spotify Data

Spotify launched Afrobeats
Spotify | Afrobeats

The microsite’s data offers a deep dive into the genre’s remarkable transformation. The sound of Afrobeats is becoming more emotionally resonant, with introspective and emotionally charged vocals now accounting for 38% of global streams.

Its reach is expanding rapidly, with listenership in Latin America growing by more than 180% year-over-year, and streams in Brazil alone are up 500% since 2020.

Female artists are also at the forefront of the genre’s global success, with Tems becoming the first African female artist to surpass 1 billion Spotify streams for a single track.

At the same time, the visual language of Afrobeats is shaping global culture, while fan communities are playing a vital role in discovery, acting as the new tastemakers and driving the genre’s growth in real time.

Nigeria: The Cultural Heartbeat of Afrobeats

In its birthplace, Afrobeats is more than just music—it’s a cultural heartbeat. Over 180 million hours of Afrobeats have been streamed in Nigeria this year alone, with the genre’s passion most evident in the top three streaming cities: Lagos, Abuja, and Port Harcourt.

Nigerian Gen Z listeners connect with Afrobeats on a deeper level, with their top three listening moods for the genre being “whiny,” “island vibes,” and “playful.” 

This passion has also fueled a powerful, community-driven movement that started in Nigeria, with fan-made Afrobeats playlists growing by nearly 3000% in the last decade worldwide.

Notably, a new sub-genre, Afro-Adura, has seen incredible growth with streams increasing over 4000%.

All things Afrobeats can be explored on the dedicated  Afrobeats Destination on Spotify.

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