Entertainment
Nigerian engineering student, lectures Chinese how to play polo – Report


China was a polo desert for Nigerian Ahmed Tukur, who has been an avid player since childhood.
For three years, the 23-year-old, studying civil engineering in Shenyang, was unable to play the sport he grew up with, according to Sahara Reporters.
That was until he stumbled on a YouTube video posted by Hong Kong lawyer Andrew Leung – founder of the year-old Hong Kong Beginners Cup.
Tukur has since been installed as one of the team captains for the 2019 edition at the Tianjin Goldin Metropolitan Polo Club, where he will act as a guide for a team of largely novice players in a tournament designed to introduce Hongkongers to the sport.
Nigeria is known around the world as an exporter of world-class football players and few outside the country would link it with polo, South China Morning Post reports.
Tukur, however, insists it is one of the most popular sports in Nigeria, especially in the northern areas.
“I’ve been playing polo since I was eight back home in Nigeria,” said Tukur, who grew up in Kaduna in the country’s northwest. “I came to China three years ago and had not played polo since arriving.
“I have been trying to connect with anyone in China who plays the game and that’s when I saw Andrew’s video on YouTube.
“I noticed that people in China do not really know much about polo and I am hoping to use polo as a way to build bridges between our country and China.
“There is a huge polo community in Nigeria. My family are into horses and horse racing and I want to share this love with the people of China.”
The Beginners Cup was launched in October last year with Leung taking a small group of rookies, some who had never been on a horse before, and turning them into competent riders and polo players within nine
months.
Buoyed by his initial success, Leung hopes the Beginners Cup can establish itself on the regional calendar and help to develop the sport in Hong Kong and the mainland.
Leung has played the game since childhood but, like many, had little clue about polo’s popularity in Nigeria.
“I met Ahmed through my YouTube channel that is dedicated to the development of Hong Kong polo,” said Leung. “He contacted me because he saw the promotional video for the inaugural Hong Kong Beginners Cup of 2018.
“I learned that Ahmed, like me, had played polo since he was a boy and that he was an experienced player – despite only being in his early 20s. I was pleasantly surprised that he was from Nigeria as I did not know at the time that polo was so popular there.
“He is helping me support, train and inspire other beginners from Hong Kong and China. I am proud that the sport of polo can unite us and help Hong Kong and Chinese people build bridges with people of different races and religions.”
Tukur said being an African in an Asian country makes him stand out and he hoped that would be an advantage when it comes to promoting polo in the mainland and Hong Kong.
“There is always a stereotype about Africans and Asians,” said Tukur. “I want to build more awareness about the sport and show the Chinese people that they can also play and bring them into the polo world.
“Not many of them have seen a black or coloured person playing this sport and this may pique their interest. I really like them to delve deeper into the sport and see what it is all about and build bridges.”
Entertainment
African Voices Highlights Tems’s Path of Passion and Purpose


Grammy-winning Nigerian singer and songwriter, Temilade Openiyi, popularly known as Tems, takes centre stage in a new edition of CNN International’s magazine programme, African Voices Changemakers, sponsored by telecommunications giant, Globacom.
Hosted by ace journalist Larry Madowo, the episode, which aired on Saturday, October 4, 2025, traces Tems’ inspiring journey from producing music in her Lagos bedroom to becoming a global music sensation and one of Africa’s most distinctive voices.
In the feature, Tems discusses her creative process, her swift rise to international fame, and her mission to uplift women through the Leading Vibe Initiative, which encourages young African women to pursue their dreams with confidence.
The episode explores Tems’ unique sound, her drive to redefine global music on her own terms, and the personal experiences that have shaped her artistry. Viewers gain a deeper understanding of her authenticity, resilience, and dedication to elevating African music on the global stage.
To accommodate viewers across various time zones, the programme will be rebroadcast on Saturday, October 11, at 7:30 a.m. and 11:00 a.m.; Sunday, October 12, at 3:30 a.m. and 6:00 p.m.; and Monday, October 13, at 3:00 a.m. (all in West Africa Time).
This edition promises fans and music lovers an intimate and inspiring glimpse into the life of one of Africa’s most influential voices, whose artistry continues to shape and redefine contemporary global music.
Entertainment
British Council, FG drive socio-economic growth in creative industry through Creative Economy Week 2025


The potential of Nigeria’s creative industry to contribute to socio-economic growth and development was re-emphasised at the Creative Economy Week 2025, a groundbreaking platform initiated by the British Council in collaboration with the Federal Government, and key stakeholders.
The Creative Economy Week 2025 is a week-long programme aimed at harnessing and nurturing the abundant creativity in Nigeria while repositioning the creative industry as a driver of national economic growth.
Hon. Minister of Arts, Culture, Tourism & Creative Economy, Barrister Hannatu Musa Musawa, who delivered a keynote address at the event in Lagos, emphasised the significant potential of United Kingdom-Nigeria partnerships in enhancing the creative economy, and emphasised that the collaboration will accelerate capacity building and skills exchange to cultivate a thriving creative industry in Nigeria.
“The creative industry in the United Kingdom is very developed. We believe we can also have a thriving creative industry. The government has stepped in to facilitate this essential handshake. With collaboration with the United Kingdom, Nigeria’s creative sector will further thrive. And beyond that, there are a lot of skills.”
In her remarks, the minister noted that raw talent and creativity are abundant in Nigeria, while noting that the collaboration will foster mutual benefits through training, festivals, and exchanges.
The minister concluded, “With the right training and support, Nigeria’s creative sector can not only thrive but also contribute significantly to job creation and economic development.”
Creative Economy Week Nigeria 2025 spanned across five Nigerian cities: Abuja, Lagos, Port Harcourt, Kano, and Enugu, and it will culminate in a landmark London showcase on 11 October. The initiative is designed to identify, nurture talents and creativity in Nigeria. It brought together artists, creative entrepreneurs, cultural hubs, industry leaders, policymakers, investors, and international partners.
The event series showcases the power of creativity and culture as catalysts for inclusive economic growth, youth empowerment, and global connection while spotlighting diaspora voices, strengthening international collaboration, and forging new opportunities for global creative exchange.
During the Week, engaging sessions took place in Lagos. These included discussions on the Women in Film Conference, the Africa Film Finance Forum (AFFF), and presentations focusing on unlocking Nigeria’s Creative Tech and Digital Storytelling Frontiers. Additionally, topics such as the expanding role of music in job creation and market reach were explored, alongside a fireside chat addressing crucial steps for enhancing Nigeria’s creative industry.
In addition, masterclass sessions were conducted on various subjects including, the role of Intellectual Property (IP) in the film industry, SME creative entrepreneurship, and practice management for the film sector. These discussions are pivotal in promoting professionalism and growth within the industry, further driving socio-economic growth and creating job opportunities.
Entertainment
Spotify Launches “Afrobeats: Culture in Motion” – A Global Project Tracing the Genre’s Explosive Rise


Today, Spotify launched Afrobeats: Culture in Motion, a global project that documents the genre’s evolution over the last five years and the people propelling its forward momentum.
The initiative highlights how Afrobeats has grown from a regional sound into a global cultural force, generating over 240 million discoveries on Spotify worldwide in the last 12 months alone.
The launch is centered on a new Spotify documentary, Culture in Motion, which follows the next generation of Afrobeats artists. This is complemented by an immersive microsite on Spotify’s newsroom, For the Record, that breaks down the movement across five key pillars using exclusive interviews, expert context, and fresh Spotify listening data.
Key Trends Revealed by Spotify Data


The microsite’s data offers a deep dive into the genre’s remarkable transformation. The sound of Afrobeats is becoming more emotionally resonant, with introspective and emotionally charged vocals now accounting for 38% of global streams.
Its reach is expanding rapidly, with listenership in Latin America growing by more than 180% year-over-year, and streams in Brazil alone are up 500% since 2020.
Female artists are also at the forefront of the genre’s global success, with Tems becoming the first African female artist to surpass 1 billion Spotify streams for a single track.
At the same time, the visual language of Afrobeats is shaping global culture, while fan communities are playing a vital role in discovery, acting as the new tastemakers and driving the genre’s growth in real time.
Nigeria: The Cultural Heartbeat of Afrobeats
In its birthplace, Afrobeats is more than just music—it’s a cultural heartbeat. Over 180 million hours of Afrobeats have been streamed in Nigeria this year alone, with the genre’s passion most evident in the top three streaming cities: Lagos, Abuja, and Port Harcourt.
Nigerian Gen Z listeners connect with Afrobeats on a deeper level, with their top three listening moods for the genre being “whiny,” “island vibes,” and “playful.”
This passion has also fueled a powerful, community-driven movement that started in Nigeria, with fan-made Afrobeats playlists growing by nearly 3000% in the last decade worldwide.
Notably, a new sub-genre, Afro-Adura, has seen incredible growth with streams increasing over 4000%.
All things Afrobeats can be explored on the dedicated Afrobeats Destination on Spotify.
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