Connect with us

Entertainment

Don Jazzy Explains His Happiness Despite Being Single

Published

on

Mavin Records boss, Michael Ajereh, aka Don Jazzy, turned 38 on Thursday, November 26, 2020. A party was held for him and his father, who shares the date with him, and he tells the Punch about the highlights of his career and life. Excerpt:

One would have thought you would celebrate your birthday with your celebrity friends. Why didn’t you do that?

Many of my celebrity friends including, P-Square and Davido, have called me to ask where the party is happening. However, I don’t usually celebrate my birthdays. But VBank, which signed me as a brand ambassador, came up with an initiative to celebrate me and I said it would be fine to spend time with them and some of my fans. My dad is also around and we share the same birthday, so it was nice hanging out with them all.

What are the most profound lessons you have learnt over the years?

I have learnt a lot and it may not be so easy to single some out now. I have always been a patient person and I believe in striking when the time is right. That has always worked for me. Also, all the things that have happened in my life make me believe that ‘a good name is better than silver or gold’. The person that came up with that saying definitely knew what they were saying. I have maintained a good name and brand, and that has always worked for me. If everybody could be like that, it would be a great world.

Do you feel fulfilled?

Pretty much, yes. I am doing well and I have a beautiful business. My family is healthy and comfortable. I know a lot of people would say because I am not married and don’t have children, that means I am not happy. But, I am very happy (laughs). I am not missing anything. Perhaps, in the future, I would start missing little children but for now, I am actually fine. I feel fulfilled and grateful. I thank God.

Producers are not as recognised and celebrated as music artistes. How does that make you feel?

I think they should be celebrated more. I will credit my success to some tactics, a little luck and most importantly, God’s grace. However, in recent times, producers have started getting more recognition for their work. But for the set before me, it wasn’t always great. With the rise of Internet streaming, I hope that things get better for producers. I am very privileged and lucky, and I thank God but I know things can be better.

What artiste have you not worked with but would like to?

Maybe some of the new guys in the industry that would want to work with me. I am old, so my sound could be very old and some of them might not feel like they need the older sound. However, I am here for anyone that wants to work with me.

Are you planning on signing any new act?

I love grooming artistes so I have my eyes on a lot of people in this new generation and the one that is coming. But, I’m definitely not going to tell you who they are. I always wait for the perfect time before I making my moves. I was supposed to sign two or three artistes this year but the COVID-19 pandemic slowed things down, so watch out for them next year.

You seem to like free-flowing robes. What influences that fashion choice?

Continue Reading

Entertainment

African Voices Highlights Tems’s Path of Passion and Purpose   

Published

on

Tems and African Voices
Tems

Grammy-winning Nigerian singer and songwriter, Temilade Openiyi, popularly known as Tems, takes centre stage in a new edition of CNN International’s magazine programme, African Voices Changemakers, sponsored by telecommunications giant, Globacom.

Hosted by ace journalist Larry Madowo, the episode, which aired on Saturday, October 4, 2025, traces Tems’ inspiring journey from producing music in her Lagos bedroom to becoming a global music sensation and one of Africa’s most distinctive voices.

In the feature, Tems discusses her creative process, her swift rise to international fame, and her mission to uplift women through the Leading Vibe Initiative, which encourages young African women to pursue their dreams with confidence.

The episode explores Tems’ unique sound, her drive to redefine global music on her own terms, and the personal experiences that have shaped her artistry. Viewers gain a deeper understanding of her authenticity, resilience, and dedication to elevating African music on the global stage.

To accommodate viewers across various time zones, the programme will be rebroadcast on Saturday, October 11, at 7:30 a.m. and 11:00 a.m.; Sunday, October 12, at 3:30 a.m. and 6:00 p.m.; and Monday, October 13, at 3:00 a.m. (all in West Africa Time).

This edition promises fans and music lovers an intimate and inspiring glimpse into the life of one of Africa’s most influential voices, whose artistry continues to shape and redefine contemporary global music.

Continue Reading

Entertainment

British Council, FG drive socio-economic growth in creative industry through Creative Economy Week 2025

Published

on

Creative Economy Week 2025

The potential of Nigeria’s creative industry to contribute to socio-economic growth and development was re-emphasised at the Creative Economy Week 2025, a groundbreaking platform initiated by the British Council in collaboration with the Federal Government, and key stakeholders.

The Creative Economy Week 2025 is a week-long programme aimed at harnessing and nurturing the abundant creativity in Nigeria while repositioning the creative industry as a driver of national economic growth.

Hon. Minister of Arts, Culture, Tourism & Creative Economy, Barrister Hannatu Musa Musawa, who delivered a keynote address at the event in Lagos, emphasised the significant potential of United Kingdom-Nigeria partnerships in enhancing the creative economy, and emphasised that the collaboration will accelerate capacity building and skills exchange to cultivate a thriving creative industry in Nigeria.

“The creative industry in the United Kingdom is very developed. We believe we can also have a thriving creative industry. The government has stepped in to facilitate this essential handshake. With collaboration with the United Kingdom, Nigeria’s creative sector will further thrive. And beyond that, there are a lot of skills.”

In her remarks, the minister noted that raw talent and creativity are abundant in Nigeria, while noting that the collaboration will foster mutual benefits through training, festivals, and exchanges.

The minister concluded, “With the right training and support, Nigeria’s creative sector can not only thrive but also contribute significantly to job creation and economic development.”

Creative Economy Week Nigeria 2025 spanned across five Nigerian cities: Abuja, Lagos, Port Harcourt, Kano, and Enugu, and it will culminate in a landmark London showcase on 11 October. The initiative is designed to identify, nurture talents and creativity in Nigeria. It brought together artists, creative entrepreneurs, cultural hubs, industry leaders, policymakers, investors, and international partners.

The event series showcases the power of creativity and culture as catalysts for inclusive economic growth, youth empowerment, and global connection while spotlighting diaspora voices, strengthening international collaboration, and forging new opportunities for global creative exchange.

During the Week, engaging sessions took place in Lagos. These included discussions on the Women in Film Conference, the Africa Film Finance Forum (AFFF), and presentations focusing on unlocking Nigeria’s Creative Tech and Digital Storytelling Frontiers. Additionally, topics such as the expanding role of music in job creation and market reach were explored, alongside a fireside chat addressing crucial steps for enhancing Nigeria’s creative industry.

In addition, masterclass sessions were conducted on various subjects including, the role of Intellectual Property (IP) in the film industry, SME creative entrepreneurship, and practice management for the film sector. These discussions are pivotal in promoting professionalism and growth within the industry, further driving socio-economic growth and creating job opportunities.

Continue Reading

Entertainment

Spotify Launches “Afrobeats: Culture in Motion” – A Global Project Tracing the Genre’s Explosive Rise

Published

on

Spotify launched Afrobeats

Today, Spotify launched Afrobeats: Culture in Motion, a global project that documents the genre’s evolution over the last five years and the people propelling its forward momentum.

The initiative highlights how Afrobeats has grown from a regional sound into a global cultural force, generating over 240 million discoveries on Spotify worldwide in the last 12 months alone.

The launch is centered on a new Spotify documentaryCulture in Motion, which follows the next generation of Afrobeats artists. This is complemented by an immersive  microsite on Spotify’s newsroom, For the Record, that breaks down the movement across five key pillars using exclusive interviews, expert context, and fresh Spotify listening data.

Key Trends Revealed by Spotify Data

Spotify launched Afrobeats
Spotify | Afrobeats

The microsite’s data offers a deep dive into the genre’s remarkable transformation. The sound of Afrobeats is becoming more emotionally resonant, with introspective and emotionally charged vocals now accounting for 38% of global streams.

Its reach is expanding rapidly, with listenership in Latin America growing by more than 180% year-over-year, and streams in Brazil alone are up 500% since 2020.

Female artists are also at the forefront of the genre’s global success, with Tems becoming the first African female artist to surpass 1 billion Spotify streams for a single track.

At the same time, the visual language of Afrobeats is shaping global culture, while fan communities are playing a vital role in discovery, acting as the new tastemakers and driving the genre’s growth in real time.

Nigeria: The Cultural Heartbeat of Afrobeats

In its birthplace, Afrobeats is more than just music—it’s a cultural heartbeat. Over 180 million hours of Afrobeats have been streamed in Nigeria this year alone, with the genre’s passion most evident in the top three streaming cities: Lagos, Abuja, and Port Harcourt.

Nigerian Gen Z listeners connect with Afrobeats on a deeper level, with their top three listening moods for the genre being “whiny,” “island vibes,” and “playful.” 

This passion has also fueled a powerful, community-driven movement that started in Nigeria, with fan-made Afrobeats playlists growing by nearly 3000% in the last decade worldwide.

Notably, a new sub-genre, Afro-Adura, has seen incredible growth with streams increasing over 4000%.

All things Afrobeats can be explored on the dedicated  Afrobeats Destination on Spotify.

Continue Reading

Trending